First I pounced my pattern. That means I took a little duster box full of powder and rubbed it over my perforated pattern. The chalk goes through the little holes and leaves a faint line for me to follow with my brush.
Then I painted on the Gold Size. Gold Size is basically a varnish that doesn't skin over as it dries. Then it was lunch time so I ran home for a sandwich and came back just in time to lay the gold. The size has to tack up a bit before the gold is applied. Below is the waiting size.
------------------------------------------------------------------------------------------------
------------------------------------------------------------------------------------------------
After lunch I pressed the gold into the tacky size being careful not to press the paper or my fingers into the size. For a job like this we use patent gold; gold that has a carrier sheet. For a gold leaf job on a window or door we use glass gold which has no carrier sheet. Talk about magic! Everyone is always amazed when they see that done, but we haven't done a gold leaf window in ages, so I guess the magic is gone.
As the gold is applied, it leaves ragged edges and overlaps, but that will go away when I burnish it.
What an intersting post. I love watching an artist at work. It looks beautiful. I had no idea gold leaf could be used on a boat.
ReplyDeleteThanks for sharing,
Dawn
thanks for sharing that .. i really enjoyed learning about the process and actually getting to see it ... karen ca
ReplyDeleteyou are very clever
ReplyDeleteWow! You do a great job on that!
ReplyDeleteGreat work! I AM impressed! You seem to really enjoy your work.
ReplyDeleteOh my gosh! That is just fabulous! I love the old fashioned way of doing signs....you did a wonderful job! I took a class years ago for sign painting...and never finished. Oh, how I wish I had!
ReplyDeleteBlessings,
Spencer